2016杭州G20峰会展出 敞口，浅腹，圈足，珐琅彩装饰。盘沿敷金彩，盘内壁口沿下依次为白地绿彩回纹、绿地白色双重海水纹，并以锥花工艺着重表现海水波涛汹涌之意；盘内心，以轧道工艺刻划纤细卷云纹的胭脂红釉地上，一条正面形象的绿彩立龙居中，周围八条游龙环绕，头向均朝向中心；五颗矾红龙珠分散于盘内，神龙须目怒张，阔口长须，五爪锐利，九龙穿梭于祥云间，娇健飘逸。五颗龙珠分别代表“金、木、水、火、土”龙珠在前，祥云环绕，沉雄古逸。九龙戏五珠，亦是帝王九五至尊的体现。 盘外壁，刻划席纹的紫红釉地上，团寿纹、蝠纹相间排饰，近足处饰海水纹，足外壁饰回纹。圈足底部施白釉，书 “大清乾隆年制” 青花六字三行篆书款。该器物形制庞大，盘内装饰繁密，布局得当，疏密有致。 拓展知识点： 作为中国封建帝王之象征，龙的形象常用来代表帝王至高无上的威力与统治力。以苍龙为心，周饰八龙，龙姿神武，其形各异，但龙首皆拜于苍龙，似有四海域国臣服中原王者之意，而九龙之数，正合古人“九龙吉祥”之意。 据说，此盘为唐英花十年心血，在乾隆二十年时研制而成，本准备奉献乾隆五十大寿，可此时乾隆还只有四十四岁，唐英却实在无力坚持下去，只好提前敬奉皇上，也作为自己一生的收官之作。珐琅彩制作集当时一流顶级高手而为之，是那个时代最高水平的艺术精品，彰显了中华民族传统文化的最高境界。 珐琅彩： 珐琅彩被称为“世界上最奢侈的艺术品”。它是清代康熙、雍正、乾隆三朝著名的宫廷御用瓷器，“庶民弗得一窥”。传世珐琅彩瓷大多为清宫秘藏，只属皇帝拥有，极少流传宫外。至民国初年紫禁城开放后，外界才得以窥探珐琅彩真面目，旋即成为藏家鉴赏追逐的目标。

Exhibited at the G20 summit in 2016 in Hangzhou Caliber: 45.3CM Bottom diameter: 27.5CM Height: 8.0CM Falangcai Overglaze Enamel wares are mostly small, known as “Vase smaller than a fist, plate not exceeding a palm”. This plate is not only large in shape, rich on enamel colors, but also exquisite on the painting. Nine dragons flying in between the surrounding clouds.It is said that the plate was made in Qianlong 20th year supervised by Tang Ying. The production took 10 years to complete and was intended for Qianlong’s 50th birthday. Tang Ying took this as the wrap-up of his career. The Falangcai Overglaze Enamel represented the peak of the porcelain technique at the time and the highest level of Chinese traditional art work.